UNA FOTO / UN DIA: TOTALIDAD - ECLIPSAR DE LA LUNA

video caption: total lunar eclipse, opening scene - Santa Olaya, PR, closing scene - Narranjito, PR [note small file size and low resolution to accomodate dialup mode for upload]   IT'S REALLY ABOUT THE SOUND, SO TRY TO LISTEN WITH HEADPHONES, OR GOOD SPEAKERS.

December, 21, 2010
Santa Olaya, PR

Early this morning during the total eclipse of the moon, the earth aligned between the full moon and the sun, throwing the lunar surface into shadow. The eclipse occured on the same day as the winter solstice - a rarity that hasn't happened for 372 years.

Lillian and I awoke at 3:33 am to find the sky clear of clouds and filled with stars. The eclipse was near totality. We watched until the eclipse passed and the moon returned to a full white orb, just before sunrise at 6:15 am. It was a spectacular celestial event matched for us only by the time, also in Puerto Rico, when we witnessed the coment Hyakutake in a
totally dark caribbean sky...


A la vista el cometa Hyakutake

"Contigo mano a mano
Busquemos otro llano
Busquemos otros montes y otros rios
Otras valles floridos y sombrios
Donde descanse y siemprepueda verte
Ante de ojos mios
Sin miedo y sobresalto de perderte."

TinTin in the New World
Frederic Tuten, 1993


March 25, 1996
Vieques, Puerto Rico

Last night we walked the beach highway because we had the night to ourselves. We decided to go the the Inn because it is the only place we've found which serves fresh garden salad. The inn is located at the end of a long dirt road, one-half mile from the beach highway, and about 100 yards from the ocean front. It is a modern, low building, containing a resturant and four guest rooms. A separate outdoor pavillion houses the bar. The complex sits in the middle of a huge field, looking like it was dropped from a helicopter. A rectangular, azure pool with minimal decoration completes the setting.

The primary reason we walked to the inn was to stand at the half-way point on the dirt road leading to the inn, in the middle of an open field with a nearly 360 degree view of the night sky. Our goal was to view the comet Hyakutake. According to the local newspaper, the comet was to be visible to the naked eye beginning March 19 through March 27. The closest approach to the earth was March 26th when the comet would be at it's brightest. The diagram in the newspaper showed the comet as viewed in the southern hemisphere, starting in the proximity of Libra and tracing a line, in the northeastern sky, night by night, until it connects with the north (polar) star. That night, the 24th, the comet was suppossed to be found just below the third star in the handle of Ursa Major (the big dipper). The sky was slightly overcast, but the dipper was easy to find. Not knowing exactly what to look for, the best we could see was a bright but fuzzy star near the handle. Not certain if we had seen the comet or not, we went to the inn, had salads and rum and cokes, then started our walk back home just as it began to rain.

This morning, on our way to the beach, we met another couple who asked if we had seen the comet last night. They said they went to a secluded part of the bay last night, to snorkle and to watch for the comet. They described it as a bright fuzzy star and said that the tail was visible if you looked indirectly at the comet, from the corner of your eye. That sounded like an odd way to view a comet and I realized that for me, looking peripherally required that I look beyond the lens of my glasses. I'm nearly blind without my glasses, so I was sure that this technique would do me no good, though I did consider holding my glasses to the side of my head. It seems that we did see the comet, without fully realizing it, but we definitely did not see the tail.

Tonight, standing again, in the middle of the field we are looking up at the night sky. Again we see the soft, fuzzy bright star. This time it is even closer to the stars of the dipper's handle. As our eyes adjust to the darkness and accomodate to the starry sky, we can begin to make out the tail of the comet. Suddenly it comes into full view. The tail is enormous. It spans fully one third of the sky overhead. The tail goes up from the body of the comet at about a 30 degree angle. The more we look, the brighter the comet becomes.

Transfixed, we don't immediately notice that we have been joined by James, one of the owners of the inn. On his way down from the resturant, James told his staff to turn off the lights in the parking lot, so as he approached, we were suddenly plunged into total darkness. The comet emerges dramatically. The head and tail pulse with increasing brilliance. The head seems to cycle through a change of colors. No one speaks for a few minutes, then James begins to ask questions about the comet. Lillian had translated the spanish news article for me, so I had a number of facts at hand. James immediately picked up on the name, and in his best southern drawl, Kentucky bourbon in hand, says: "HiyoufromKentucky?" That became his running joke for the rest of the night.

J.Galligan y L.Mulero
75GRAND/SUR
Santa Olaya, PR

UNA FOTO / UN DIA: Un fuego en sus intestino

photo caption: A protest against removing David Wojnarowicz's video from a
National Portrait Gallery show. Photo by Jacquelyn Martin/Associated Press

TODAY'S POSTING IS PRESENTED IN SOLIDARITY WITH AA BRONSON AND MANY OTHER ARTISTS, OUTRAGED IN THE WAKE OF A DECISION BY THE NATIONAL PORTRAIT GALLERY IN WASHINGTON DC TO REMOVE
"A Fire in My Belly
" VIDEO ARTWORK BY
DAVID WOJNAROWICZ FROM "Hide/Seek: Difference and Desire in American Portraiture," CURRENTLY ON VIEW. AA BRONSON HAS DEMANDED THAT HIS WORK BE
REMOVED FROM THE EXHIBITION. WOJNAROWICZ'S VIDEO WAS REMOVED BY MUSEUM DIRECTORS DECEMBER 1st IN REACTION TO PROTESTS BY CONSERVATIVE MEMBERS OF CONGRESS AND THE CATHOLIC LEAGUE.


SYNOPSIS OF WOJNAROWICZ VIDEO
BY HOLLAND COTTER (NYTimes,
12-10-10)

"A Fire in My Belly" was made from video shot in Mexico, a country that Wojnarowicz found mesmerizing for its combination of vital popular culture and daily life lived shockingly close to the bone. The 13-minute video opens with a panning shot, taken from a moving car, of the streets of a Mexican town, interrupted by quick shots of newspaper headlines reporting violent crimes. These sequences are punctuated, very briefly, with a few other images: a suspended world globe; a cartoonish dancing puppet wearing a sombrero; a disembodied hand dropping coins.

Then three scenes of combat alternate repeatedly: a bullfight and a cockfight - each gruesome - and a masked and acrobatic wrestling match. Travelogue-ish sequences follow - of a circus with performing animals and a visit to a mesoamerican archaeological site with demonic-looking sculptures, ... and the video ends abruptly when the dancing puppet is shot with what looks like a pistol full of paint.

The 7-minute excerpt feels more packed and purposeful, and quite complete. The opening image, which will recur again and again, is of metal wheels turning, like some machine of fate. Then, interwoven and rapidly repeated, we see pairs, not necessarily juxtaposed, of related images: street beggars and armed police; Day of the Dead candy skulls and a painting of an Aztec human sacrifice; mummified bodies displaced from graves in a cemetery and an undisturbed tombstone being gently washed.

Certain images were evidently filmed in a studio: coins falling into a bandaged hand, and a hand held under splashing water; halves of a loaf of bread being sewn together, and a man's lips being sewn shut. A short sequence of a man masturbating alternates with images of sides of beef in a slaughterhouse. The (CONTROVERSIAL) image of the crucifix with ants comes almost in the middle of all of this, between shots of bread being sewn and blood dripping into a bowl. At the end, images from the first video reappear - the puppet and the globe - both burning.

VIEW THE VIDEO - POSTED BY PPOW GALLERY, NYC


J.Galligan y L.Mulero
75GRAND/SUR
Santa Olaya, PR

UNA FOTO / UN DIA: no

photo caption: wall sign, ferry dock, Catano to Old San Juan route

    1. GUNS
    2. BICYCLES
    3. ROLLERBLADES
    4. DRUGS
    5. ALCOHOL
    6. SELLING
    7. PANHANDLING
    8. COOLERS
    9. PETS

      J.Galligan
      75GRAND/SUR
      Santa Olaya, PR

      UNA FOTO / UN DIA: Lo que Steve Fisher no publicar en Facebook?

      photo caption: still-life, literary cafe, Rio Piedras neighborhood, San Juan, PR

      12-11-10 9:08:07
      A FEW WEEKS AGO MY FAVORITE ONLINE SERVICE ANNOUNCED THEY WERE GOING OUT OF BUSINESS BECAUSE THEY COULDN'T FIND A WAY TO COVER COSTS. THEIR UTILITY READS MY EMAILS TO ME OVER MY CELLPHONE AND ALLOWS ME TO REPLY BY LEAVING A VOICE MESSAGE THAT IS THEN SENT AS AN ATTACHMENT IN A REPLY NOTE TO THE ORIGINAL SENDER. I TRIED IT OUT YESTERDAY WHILE LISTENING TO EMAILS AT MY FAVORITE LITERARY CAFE NEAR UNIV OF PUERTO RICO. STEVE FISHER HAD SENT ME A NOTE ABOUT HIS LATEST BLOG/FACEBOOK POSTING AND I RESPONDED TO HIM WITH A VOICE MESSAGE WHICH HE LISTENED TO, THEN COVERTED TO TEXT USING HIS VOICE-TO-TEXT/TEXT-TO-VOICE UTILITY...


      From: MailSpeaking
      To:
      GALLIGAN
      Subject: Update about the Email by Phone Service
      Date: Nov 30, 2010


      Dear Jan,

      Thank you everyone who responded to our previous email about the
      subscription model. Unfortunately there was not enough interest from the
      users to cover our costs.

      So we had to take the painful decision of Shutting down the Email to Phone
      service effective Dec 1, 2010. The service will work as usual until then.
      You will need to make alternate arrangements for your mobile email access
      after that.

      All the Best,

      MailSpeaking


      From: Steve Fisher
      To:
      galligan
      Subject: Re: Re:Fishful Thinking
      Date: Fri, 10 Dec 2010 20:27:02 +0100

      Jan:

      Very cool!

      Steve

      >----- Original Message -----
      >From: galligan
      >To: Steve Fisher
      >Sent: Friday, December 10, 2010 8:01 PM
      >Subject: Re:Fishful Thinking

      >attachment: reply-to-stephenhendrixfisher-12-10-10-8-01-note.mp3
      > ---------------------------------------------------------------
      > Sent from my phone through MailSpeaking

      > -----Original Message-----
      > From: Steve Fisher >
      > Sent: Fri 12/10/2010 8:03 AM

      > To: galligan, et.al.
      > Cc:
      > Subject: Fishful Thinking
      >
      > Dear all,
      >
      > FISHFUL THINKING RETURNS this week with YET ANOTHER column dedicated to the world of on-line social networking, entitled "What I DIDN'T Post on Facebook Recently."

      > What I Didn't Post on Facebook Recently << LINK

      >
      > Cheers,
      >
      > Steve


      J.Galligan
      75GRAND/SUR
      Santa Olaya, PR

      UNA FOTO / UN DIA: STARBUCKS/BUCK ROGERS/ARSENIC/OLD LACE/G.SOROS

      photo caption: nature morte con prognosticacion, Santa Olaya, PR 12-03-10


      EVIDENCE FOR ET IS MOUNTING DAILY, BUT NOT PROVEN

      by Seth Borenstein
      AP science writer

      Published in the PUERTO RICO DAILY SUN, jueves, 9 dieciembre, 2010

      [excerpt]

      Lately a handful of new discoveries make it seem more and more likely that we are not alone -- there is life somewhere else in the universe.


      Seth Shostak, senior astronomer at the SETI (Search for Extraterrestrial Intelligence) Institute in California ticks off the astronomical findings about planet abundance (there are three times more stars than the 100 sextillion previously determined) and Earthbound discoveries (microbes can live on arsenic, as well as carbon, hydrogen, nitrogen, oxygen, phosophoros and sulfur) about life's hardiness. "All of these have gone in the direction of encouraging life out there..."

      ...advanced aliens could find us or we could hear their radio transmissions. That's what the SETI Institute is about, listening for intelligent life.

      That's where Shostak puts his money behind his optimism. At his public lectures Shostak bets everyone in the audience a cup of coffee for that scientists will find proof of alien life by 2026. The odds, he figures have never been more in his favor.

       

       


      J.Galligan
      75GRAND/SUR
      Santa Olaya, PR

      UNA FOTO / UN DIA: THE DECIDER | MEMORIAS INDUDABLEMENTE

      photo caption: Books and Magazine section, CVS Pharmacy, El Ocho sector, Bayamon, PR


      DEAD CERTAIN
      by George Packer
      The New Yorker
      November 29, 2010

      A review of "Decision Points" by George W. Bush

      [excerpt]

      Moder ex-presidents tend to write memoirs for reason's less heroic than U.S. Grant. Richard Nixon couldn't stop producing his, in one for or another, in a quest to revise history's devastating verdict... Why did Gerge W. Brush write "Decision Points"? (Crown; $35, Google Books; $5) He tells us on the first page. He wanted to make a contribution to the study of American history, but he also wanted to join the section of advice books featuring leadership tips from successful executives.

      "I write to give raders a perspective on decision making in a complex environment. Many of the decision that reach the president's desk are tough calls, with strong arguments on both sides. Throughout this book, I describe the opinions I weighed and the principles I followed. I hope this will give you a better sense of why I made the decisions I made..."

      Here is a prediction, "Decision Points" will not endure. It's prose aims for tough-minded simplicity but keeps landing on simpleminded sententiousness.


      NUTTY
      by Paul Rudnick
      Shouts & Murmurs
      The New Yorker
      November 29, 2010

      Rudnick presents a fictionalized revelation by Mr. Peanut that he is, and long has been, gay.

      [excerpt]

      After watching Portia de Rossi promoting her new memoir about her anorxia, her struggle to come out as a lesbian, and her eventual happy marriage to Ellen DeGeneres, I feel emboldened. (Although, I regret that, because I am a carbohydrate, Portia may fear me.) And after seeing Ricky Martin discuss his new memoir, about his coming out and his job in becoming the father of beautiful twin sons, I think that it's time to tell the world that Benson (Mr. Peanuts new buddy [and according to him, lover]) and I will be adopting a jumbo cashew and pair of Jordan almonds; some people will call it a bridge mix, but for Benson and me it's our family.

      J.Galligan
      75GRAND/SUR
      Santa Olaya, PR

      UNA FOTO / UN DIA: YANQUIS GO HOME!

      photo caption: Wall graffito - barrio Santurce, San Juan, PR


      "ALL THE NEWS THAT'S FIT TO PRINT"

      NY TIMES: CORRECTIONS

      FRONT PAGE
      An article on Nov 13 about twin brothers who had been sleeping in a tree in Central Park misidentified the type of tree. It is a European beech, not an American elm.

      SPORTS
      Because of an editing error, an article on Sunday about Ohio State's victory over Michigan in college football misidentifed Michigan's mascot in some copies. They are the Wolverines -- not the Spartans, the mascot for Michigan State.

      BUSINESS
      The Advertising column on Monday, a tongue-in-cheek questionnaire on marketing media and popular culture, misstated the name of a song in the musical "Bye Bye Birdie." It is "The Telephone Hour" not "The Telephone Song."

      "THE TELEPHONE HOUR," FROM THE MUSICAL "BYE BYE BIRDIE"
      -Hi, Nancy!
      -Hi, Helen!
      What's the story, morning glory?
      What's tale, nightingale?
      -Tell me quick about Hugo and Kim!
      -Hi, Margie!
      -Hi, Alice!
      What's the story, morning glory?
      -What's the word, humming bird?
      -Have you heard about Hugo and Kim?


      "THE TELEPHONE SONG," FROM THE MUSICAL "MISS SAIGON"
      [Chris]
      John, is that you, buddy? Listen to me
      Do I sound diff'rent? How else could I be?
      Last night I spent a whole lifetime in paradise.
      Hey, tell the CO I'm taking all of my leave
      We're gonna play house, oh John, it's like Christmas eve
      We have sworn we won't see the sun for forty-eight hours

      [John is at the Embassy, in the midst of chaos: diplomatic cables and files being packed or burned, typewriters crated, etc.]

      [John]
      What are you saying? Are you out of your mind?
      All leaves are canceled, you could be left behind
      Saigon is falling apart, and you'd better be here
      Here is the news, since you've been on the moon

       

      J.Galligan
      75GRAND/SUR
      Santa Olaya, PR